April on Paris Street
April on Paris Street
Most Anticipated Fall Fiction from 49th Shelf
Your basic damsel-in-distress gig sounds perfect to private investigator Ashley Smeeton, who’s got her own personal and professional struggles in Montreal. Against the backdrop of the winter Carnaval, the job first takes her to Paris where she’s drawn into an unsettling world of mirages and masks, not to mention the murderous Bortnik brothers. When she returns to Montreal, a city rife with its own unreasonable facsimiles, the case incomprehensibly picks up again. Convinced she’s being played, Ashley embarks on an even more dangerous journey into duplicity. In a world of masks behind masks, it’s hard to say where the truth lies.
Details
Details
MiroLand (Mystery and Crime)
9781771836234
320 pages |
Reviews
Reviews
This novel is one of those guilty pleasures you sink into with abandon.
Montreal Review of Books
Anna Dowdall writes character-centred novels, in which Ashley Smeeton’s family background, lifestyle and personality are as important as the twists and turns of the plot.
The Compulsive Reader
Learn More
Learn More
- All Lit Up: 5 Mysteries for a Cozy Night In
- "I am Obsessed with Place" Anna Dowdall on Whisking Readers to Paris and Montreal in Her Twisty New Mystery Novel: Open Book
- CWC Interview - Anna Dowdall with Del Chatterson
- Returning Author Anna Dowdall of Montreal: South Branch Sribbler
- Hubert by Anna Dowdall (on the protagonist Ashley Smeeton)
- 20 Questions with Anna Dowdall: rob mclennan's blog
- Anna Dowdall on Unreasonable Facsimiles – A BOLO Books Guest Post
- Miramichi Reader interview with Anna Dowdall
- 49th Shelf: Shiver Me Timbers: A Little Murder with My Fall
- Interview with Anna Dowdall on South Branch Scribbler
- 49th Shelf: Most Anticipated: Our 2021 Fall Fiction Preview
- Junction Reads with Anna Dowdall
Awards
Awards
About the author
Anna Dowdall was born in Montreal and recently moved back there, which surprised no one but her. She’s been a reporter, a college lecturer and a horticultural advisor, as well as other things best forgotten. Her well-received domestic mysteries, After the Winter and The Au Pair, feature evocative settings and uninhibited female revenge, with a seasoning of moral ambiguity and noir. She reads obscure fiction in English and French and thinks Quebec is an underrecognized mise en scène for mystery and domestic suspense.